Masks Behind Masks

András Nagy’s portrait of Szentkuthy in The Berlin Review of Books:

“The mask in general is an important part of the identity of the personality; paradoxically it may be even a synonym for it as the use of the borrowed “face” tells more of the person applying it than the features he is born with. The experience with identities was regularly developed into novels applying different protagonists, characters, and roles, yet Szentkuthy had to realize in the years to come that daily life must also be lived in different masks. A mask was needed to hide those features of his very self that were rejected by the more and more intolerant authorities that directly and indirectly attempted and partly infiltrated his life and even his works. However, with Szentkuthy’s intellect and unlimited free spirit, the attempts to control him regularly failed as he was happily using different incognitos and roles, while keeping deeply hidden what was behind the masks. These secrets were carefully registered and kept in a “giant-diary” as he liked to call it, hundreds of thousands of pages of the most authentic chronicle from his early age until almost to his death. It included significant entries for each day, obviously touching upon the most personal and the most abstract issues, being both extremely vulgar and extremely subtle, as well as ideas and recollections of people and events he came across, likely matching the same high artistic level and aesthetic quality as the rest of his work. Even if it will not be revealed still for many years to come, it is an important part, if not the most important one of the author’s oeuvre. Szentkuthy suggested in an interview that his whole oeuvre could be defined, described, and interpreted as a “giant-diary”, modeled on the textual corpus of Saint-Simon and of Montaigne. Stories, novels, studies, essays, etc. may turn out to have a wholly different meaning once read in the  larger context. It is easy to imagine then that once the diaries will be opened – this will occur for the first time in 2013 – readers will have to reinterpret all of Szentkuthy’s writings in a radically new way. Surprises, and even revelations, of literary history are to be expected in the years to come.”

For the full essay: go here.